Slide 2: Introduction
Brief overview of the American colonization period in the Philippines (1898-1946)
Impact of American colonization on Philippine arts and culture
Slide 3: Fabian de la Rosa (1869-1937)
Background: First notable painter of the 20th century
Style: Realistic portraits, genre, and landscapes
Notable Works: "Planting Rice," "Women Working in a Rice Field"
Picture: !Fabian de la Rosa
Slide 4: Fernando Amorsolo (1892-1972)
Background: Nephew of Fabian de la Rosa, most famous Filipino artist of the American period
Style: Bright, sunny landscapes, rural scenes
Notable Works: "The Making of the Philippine Flag," "Planting Rice with Mayon Volcano"
Picture: !Fernando Amorsolo
Slide 5: Guillermo Tolentino (1890-1976)
Background: Renowned sculptor and National Artist
Style: Classical sculpture
Notable Works: "The Bonifacio Monument," "Oblation"
Picture: !Guillermo Tolentino
Slide 6: Victorio Edades (1895-1985)
Background: Father of Modern Philippine Painting
Style: Modernism, departure from classical styles
Notable Works: "The Builders," "Interaction"
Picture: !Victorio Edades
Slide 7: Carlos "Botong" Francisco (1912-1969)
Background: Muralist and National Artist
Style: Historical murals, vibrant colors
Notable Works: "The Progress of Medicine in the Philippines," "First Mass at Limasawa"
Picture: !Carlos "Botong" Francisco
Group 1
Fabian de la Rosa: A Master of Filipino Realism
Fabian de la Rosa (1869-1937), often considered the first notable painter of the 20th century in the Philippines, was a master of realistic portraiture, genre scenes, and landscapes. His work captured the essence of Filipino life during a period of significant change, bridging the gap between traditional art and the burgeoning modernism of the early 20th century.
Early Life and Influences:
Born in Paco, Manila, de la Rosa was exposed to art from a young age, learning to draw before he could write.
He received early training from his aunt, Marciana de la Rosa, and later apprenticed under his uncle, Simón Flores y de la Rosa, a renowned painter of portraits and church interiors.
He studied formally at the Escuela de Artes y Oficios and later at the Escuela Superior de Pintura, Escultura y Grabado, where he learned from renowned artists like Lorenzo Guerrero and Miguel Zaragoza.
A Pioneer of Filipino Realism:
De la Rosa's art was characterized by its meticulous realism, capturing the details of daily life and the nuances of human emotion.
He was known for his portraits, which went beyond mere likenesses, capturing the personalities and inner lives of his subjects.
His genre paintings, like "Planting Rice" and "Women Working in a Rice Field," depicted the realities of rural Filipino life, showcasing the dignity of labor and the beauty of the natural world.
International Recognition and Legacy:
De la Rosa's work gained international recognition, earning him awards at the St. Louis Exposition in 1904 for his paintings "Transplanting Rice" and "The Death of General Lawton."
He became a professor at the University of the Philippines School of Fine Arts, where he mentored future generations of artists, including his nephew, the renowned National Artist Fernando Amorsolo.
His work continues to inspire and resonate with viewers today, offering a glimpse into the lives and culture of the Philippines during a pivotal period of its history.
Key Works:
"Planting Rice" (1921)
"Women Working in a Rice Field" (1902)
"Transplanting Rice" (1904)
"The Death of General Lawton" (1904)
"Un Recuerdo de la Villa Borghese" (A Remembrance of the Villa Borghese) (1909)
group 2
Fernando Amorsolo: The Master of Philippine Sunlight
Fernando Amorsolo (1892-1972), often called the "Grand Old Man of Philippine Painting," is considered the most famous Filipino artist of the American period. His signature style, characterized by a luminous palette and idealized depictions of Filipino life, captured the hearts of a nation.
Early Life and Influences:
Born in Paco, Manila, Amorsolo’s artistic talent was evident from a young age. He learned to draw before he could write, honed his skills under his uncle, Fabian de la Rosa, a prominent Filipino painter, and later studied at the University of the Philippines School of Fine Arts.
His early works were influenced by the European academic style, but he quickly developed his own distinctive approach, embracing a brighter, more vibrant palette and a focus on Filipino subject matter.
Master of Sunlight and Idealized Beauty:
Amorsolo’s paintings are known for their luminous quality, capturing the brilliance of Philippine sunlight, particularly in rural landscapes.
He frequently depicted scenes of everyday life, showcasing the beauty of Filipino women, landscapes, and rural activities, often with a nostalgic and idealized touch.
His signature technique involved using strong highlights and soft shadows, creating a sense of depth and warmth, and emphasizing the beauty of the natural world.
Notable Works:
"The Making of the Philippine Flag" (1926): This iconic painting depicts a pivotal moment in Philippine history, capturing the spirit of independence and nationalism.
"Planting Rice with Mayon Volcano" (1950): This painting is a prime example of Amorsolo's signature style, showcasing the lush landscapes and vibrant colors of the Philippines. The majestic Mayon Volcano serves as a backdrop for the hardworking farmers, creating a sense of both beauty and toil.
"The Manger" (1938): A depiction of the Nativity scene set in a Filipino rural setting, showcasing Amorsolo's ability to blend religious themes with Filipino cultural elements.
"The Rice Planting" (1950): This painting, like "Planting Rice with Mayon Volcano," captures the essence of rural Filipino life, emphasizing the importance of agriculture and the beauty of the natural world.
"Portrait of Doña Aurora Aragon-Quezon" (1946): This portrait of the First Lady of the Philippines is a prime example of Amorsolo's skillful depiction of human form and emotion.
Legacy and Impact:
Amorsolo's work was widely celebrated both in the Philippines and abroad, earning him numerous awards and recognition.
He became a National Artist of the Philippines in 1972, solidifying his status as one of the most important figures in the nation's artistic history.
His paintings continue to be treasured by Filipinos and art enthusiasts worldwide. They remain a powerful testament to the beauty, resilience, and enduring spirit of the Filipino people.
Amorsolo's legacy lies in his ability to create a unique and enduring artistic vision that captured the hearts and imaginations of a nation. He was a master of portraying the beauty of the Philippines and the spirit of its people, making him a true icon of Filipino art. His work continues to inspire and delight generations of Filipinos and art lovers worldwide.
group 2
Fernando Amorsolo: The Master of Philippine Sunlight
Fernando Amorsolo (1892-1972), often called the "Grand Old Man of Philippine Painting," is considered the most famous Filipino artist of the American period. His signature style, characterized by a luminous palette and idealized depictions of Filipino life, captured the hearts of a nation.
Early Life and Influences:
Born in Paco, Manila, Amorsolo’s artistic talent was evident from a young age. He learned to draw before he could write, honed his skills under his uncle, Fabian de la Rosa, a prominent Filipino painter, and later studied at the University of the Philippines School of Fine Arts.
His early works were influenced by the European academic style, but he quickly developed his own distinctive approach, embracing a brighter, more vibrant palette and a focus on Filipino subject matter.
Master of Sunlight and Idealized Beauty:
Amorsolo’s paintings are known for their luminous quality, capturing the brilliance of Philippine sunlight, particularly in rural landscapes.
He frequently depicted scenes of everyday life, showcasing the beauty of Filipino women, landscapes, and rural activities, often with a nostalgic and idealized touch.
His signature technique involved using strong highlights and soft shadows, creating a sense of depth and warmth, and emphasizing the beauty of the natural world.
Notable Works:
"The Making of the Philippine Flag" (1926): This iconic painting depicts a pivotal moment in Philippine history, capturing the spirit of independence and nationalism.
"Planting Rice with Mayon Volcano" (1950): This painting is a prime example of Amorsolo's signature style, showcasing the lush landscapes and vibrant colors of the Philippines. The majestic Mayon Volcano serves as a backdrop for the hardworking farmers, creating a sense of both beauty and toil.
"The Manger" (1938): A depiction of the Nativity scene set in a Filipino rural setting, showcasing Amorsolo's ability to blend religious themes with Filipino cultural elements.
"The Rice Planting" (1950): This painting, like "Planting Rice with Mayon Volcano," captures the essence of rural Filipino life, emphasizing the importance of agriculture and the beauty of the natural world.
"Portrait of Doña Aurora Aragon-Quezon" (1946): This portrait of the First Lady of the Philippines is a prime example of Amorsolo's skillful depiction of human form and emotion.
Legacy and Impact:
Amorsolo's work was widely celebrated both in the Philippines and abroad, earning him numerous awards and recognition.
He became a National Artist of the Philippines in 1972, solidifying his status as one of the most important figures in the nation's artistic history.
His paintings continue to be treasured by Filipinos and art enthusiasts worldwide. They remain a powerful testament to the beauty, resilience, and enduring spirit of the Filipino people.
Amorsolo's legacy lies in his ability to create a unique and enduring artistic vision that captured the hearts and imaginations of a nation. He was a master of portraying the beauty of the Philippines and the spirit of its people, making him a true icon of Filipino art. His work continues to inspire and delight generations of Filipinos and art lovers worldwide.
group 3.
Fabian de la Rosa: A Pioneer of Filipino Realism
Fabian de la Rosa (1869-1937) is widely recognized as the first notable painter of the 20th century in the Philippines. He was a master of realism, capturing the essence of Filipino life through his meticulous depictions of portraits, genre scenes, and landscapes. His work bridged the gap between traditional art and the emerging modernism of the early 20th century, paving the way for a distinctly national artistic tradition.
Early Life and Influences:
Born in Paco, Manila, de la Rosa was exposed to art from a young age, learning to draw before he could write.
He received early training from his aunt, Marciana de la Rosa, and later apprenticed under his uncle, Simón Flores y de la Rosa, a renowned painter of portraits and church interiors.
He studied formally at the Escuela de Artes y Oficios and later at the Escuela Superior de Pintura, Escultura y Grabado, where he learned from renowned artists like Lorenzo Guerrero and Miguel Zaragoza.
Master of Realism and Genre Painting:
De la Rosa's art was characterized by its meticulous realism, capturing the details of daily life and the nuances of human emotion.
He was known for his portraits, which went beyond mere likenesses, capturing the personalities and inner lives of his subjects.
His genre paintings, like "Planting Rice" and "Women Working in a Rice Field," depicted the realities of rural Filipino life, showcasing the dignity of labor and the beauty of the natural world.
International Recognition and Legacy:
De la Rosa's work gained international recognition, earning him awards at the St. Louis Exposition in 1904 for his paintings "Transplanting Rice" and "The Death of General Lawton."
He became a professor at the University of the Philippines School of Fine Arts, where he mentored future generations of artists, including his nephew, the renowned National Artist Fernando Amorsolo.
His work continues to inspire and resonate with viewers today, offering a glimpse into the lives and culture of the Philippines during a pivotal period of its history.
Key Works:
"Planting Rice" (1921): A masterpiece of genre painting, depicting the arduous yet dignified work of Filipino farmers.
"Women Working in a Rice Field" (1902): A powerful depiction of rural labor, showcasing the strength and resilience of Filipino women.
"Transplanting Rice" (1904): This painting won a gold medal at the St. Louis Exposition, highlighting de la Rosa's international recognition.
"The Death of General Lawton" (1904): A dramatic portrayal of a historical event, showcasing de la Rosa's skill in capturing the intensity of a moment.
"Un Recuerdo de la Villa Borghese" (A Remembrance of the Villa Borghese) (1909): This painting reflects de la Rosa's European influences, showcasing his mastery of light and shadow.
De la Rosa's legacy lies in his ability to capture the essence of Filipino life through his art, paving the way for a distinctly national artistic tradition. His work continues to be celebrated for its realism, its beauty, and its enduring power to connect with audiences across generations.
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Victorio Edades: The Father of Modern Philippine Painting
Victorio Edades (1895-1985), often hailed as the "Father of Modern Philippine Painting," was a revolutionary artist who challenged the prevailing artistic norms of his time. He championed a distinctly modern style, breaking away from the classical traditions that dominated the Philippine art scene. His bold and innovative approach paved the way for a new era of artistic expression in the Philippines.
Early Life and Influences:
Born in Dagupan, Pangasinan, Edades displayed an early passion for art. He was nicknamed "apprentice teacher" in his seventh-grade art class, showcasing his natural talent.
After high school, he traveled to the United States, where he earned a Master of Fine Arts in painting from the University of Washington. His studies exposed him to the groundbreaking European modernist movements, particularly the works of Cézanne, Gauguin, Matisse, Picasso, and the Surrealists.
This exposure to modern art deeply influenced Edades, leading him to reject the conservative academic styles and realistic approaches that were prevalent in the Philippines at the time.
The Modernist Revolution:
Upon his return to the Philippines in 1928, Edades found the local art scene stagnant and uninspired. He saw a lack of creativity and a tendency to copy existing styles.
In response, he mounted a one-man show at the Philippine Columbia Club in Ermita, showcasing his modern art. The exhibition, while attracting a crowd, was met with shock and disapproval, as the audience was not yet ready for this contemporary style.
Despite the initial rejection, Edades remained steadfast in his commitment to modern art. He believed that art should be more than just a representation of reality; it should reflect the artist's individual perception and emotions.
Key Works and Artistic Style:
"The Builders" (1928): This iconic painting is considered Edades' most renowned work. It depicts tough, dirty construction laborers, a stark contrast to the idealized figures often portrayed in traditional Filipino art. The use of earthy colors, distorted figures, and bold brushstrokes reflects Edades' modernist approach.
"Interaction" (1935): This painting, created with fellow modernists Carlos "Botong" Francisco and Galo B. Ocampo, showcases Edades' continued exploration of modern themes and techniques.
"The Sketch" (1927): This painting, which won second prize at the annual exhibition of North American artists, demonstrates Edades' early mastery of modernist principles.
Impact and Legacy:
Edades' bold defiance of traditional art conventions sparked a revolution in the Philippine art scene. He challenged the status quo, encouraging artists to embrace new ideas and experiment with different forms of expression.
He played a crucial role in organizing the University of Santo Tomas (UST) Department of Architecture and later served as its director, introducing a liberal arts program that included art history and foreign languages.
His influence extended beyond the art world, as he actively promoted modern art through exhibitions, lectures, and writings.
Edades' legacy is undeniable. He not only revolutionized Philippine art but also paved the way for a new generation of artists who embraced modernism and pushed the boundaries of artistic expression.
Victorio Edades was a true pioneer, a visionary artist who dared to challenge the status quo and redefine what it meant to be a Filipino artist. His work continues to inspire and resonate with viewers today, serving as a testament to the power of artistic innovation and the enduring spirit of modernism.
groupr 3. Carlos "Botong" Francisco: A Master of Philippine Muralism
Carlos "Botong" Francisco (1912-1969) was a towering figure in Philippine art, renowned for his vibrant murals that celebrated Filipino history, culture, and mythology. He was a master of color, composition, and storytelling, infusing his works with a unique blend of realism, symbolism, and folk art influences. His contributions to Philippine art earned him the prestigious title of National Artist in 1973.
Early Life and Influences:
Born in Angono, Rizal, Francisco's artistic talent was evident from a young age. He was drawn to the rich artistic traditions of his hometown, particularly the vibrant folk art and the ancient petroglyphs that are now a national treasure.
He studied at the University of the Philippines School of Fine Arts, where he was influenced by the emerging modernist movement, particularly the works of Victorio Edades and Galo B. Ocampo.
Francisco's artistic style was a unique blend of these influences, incorporating modernist techniques with traditional Filipino motifs and a strong sense of national identity.
The Master of Murals:
Francisco's true passion lay in mural painting. He believed that murals were the ideal medium for conveying large-scale narratives and celebrating the collective history and culture of a nation.
He produced numerous murals throughout his career, adorning public buildings and institutions with his vibrant and evocative depictions of Filipino history, legends, and everyday life.
Some of his most notable murals include "The Progress of Medicine in the Philippines" (1953), "First Mass at Limasawa" (1965), and "Filipino Struggles Through History" (1964).
Style and Themes:
Francisco's murals were characterized by their vibrant colors, bold lines, and dynamic compositions. He often used stylized figures and simplified forms, drawing inspiration from traditional Filipino folk art and the ancient petroglyphs of Angono.
His works were infused with a strong sense of national pride, celebrating the achievements and struggles of the Filipino people. He often depicted historical events, myths, and legends, weaving them into a tapestry of Filipino identity.
He also explored themes of rural life, community, and the beauty of the natural world, capturing the essence of Filipino culture in his vibrant and expressive paintings.
Legacy and Recognition:
Francisco's legacy as a muralist and a national icon is undeniable. His works are displayed in numerous public and private collections throughout the Philippines, serving as a testament to his artistic genius and his enduring contribution to Philippine art.
He was posthumously awarded the title of National Artist in 1973, recognizing his significant contributions to the development of Philippine art.
His hometown of Angono, Rizal, has become known as the "Art Capital of the Philippines," largely due to Francisco's influence and the thriving artistic community he inspired.
Carlos "Botong" Francisco was a true master of his craft, a visionary artist who used his art to celebrate the rich history and culture of the Filipino people. His murals continue to inspire and captivate viewers today, offering a vibrant and enduring testament to the power of art to connect generations and preserve national identity.